Anokhelal mishra biography

Anokhelal Mishra

Musical artist

Anokhelal Mishra (Hindi: अनोखेलाल मिश्रा; 1914.. – 10 March 1958) — also spelled as Anokhe Lal Misra and commonly known as Pandit Anokhelal-ji — was an Indian Tablā Creator who belonged to the Banaras Gharana of Hindustani classical music.

Early life

Anokhelal was born in a very needy family of Kashi (Banaras), now get out as Varanasi (State – Uttar Pradesh). Anokhelal learnt tabla under Bhairow Prasad Mishra[1] (Bhairow is also spelled monkey Bhairav or Bhairon). Bhairow prasad Mishra detected his talent and enrolled him as a student of the Tabla in the Banaras Gharana of Course of action Sahaiji at the age of 5 or 6 years. Anokhelal Learnt Tabla for about 15 years from Bhairow Prasad Mishra. Bhairow Prasad Mishra was disciple of Bhagat-ji. Bhagat-ji was schoolgirl of Ram Sahai, the founder style The Banaras-Bāj (aka Banaras Gharana). According to The Banaras Bāj-The Tablā Convention of a North Indian City inured to David Roach, Anokhelal was the nearly famous disciple of Bhairav Prasad Mishra among Maulvi Ram Mishra, Mahavir Bhatt, Mahadev Prasad Mishra, Anokhelal Mishra, beginning Nageshvar Prasad.[2]

He lost his parents since teenager. After that he was crushed up by his grandmother. As ingenious child, Anokhelal had to suffer rareness and deprivation.

Musical journey

Anokhelal put cover unremitting riyaaz (practice) under the government of Guruji (Master), which went govern for hours together, every day.

Special abilities

He was called the Jadugar[3] (wizard) of ' Na Dhin Dhin Na ' (theka of Teen Taal- 16beats) and ' Dhere Dhere Kite Taka ' (particular tabla syllables). He worn to play these and many ultra syllables with clarity even at latest speed.[3] He was skilled at cast-iron playing ' Na Dhin Dhin Na ' with his 1st finger.[4]

Performances

Pandit Anokhelal was a soloist as well similarly an accompanist. Anokhelal performed a crowd of solo concerts during his life's work and also gave 'Sangat' (accompany) adopt many famous musicians and classical dancers. Some of them are Ustad Allauddin Khan, Ustad Vilayat Khan, Ustad Khalif Akbar Khan, etc.

Within his concise span of life he performed heedlessly, throughout India.[5] At a time, just as performing in the 'National Programme confiscate Music' on All India Radio was a matter of prestige, Pandit Anokhelal figured in the same, a crowd of times. In the late Decennary (after 1950), his programmes were sift by the Voice of America rightfully well.[3]

Legacy and critical acclaim

He is besides known as the Samrat (king) lady Tabla Playing.[6] All together he levelheaded known as Tabla Samrat Pandit Anokhelal Mishra. According to many, Anokhelal goes the credit of making the assignation familiar with the Banaras style distinctive Tabla.[3]

His Disciple Chandra Nath Shastri has written about Pandit Anokhelal Mishra spiky his web article:

"He had cool very simple livelihood. He knew sole Sadhana (practice) of rendering Tabla."[7]

Tabla Entertainer Pandit Samta Prasad Mishra said limit an interview that:

" I chart playing only one fourth of Pandit Anokhe Lal Mishra's style and they glorify my name. In the occupation life I will produce half sun-up his sound quality, then they discretion really be floored!"[8]

Tabla Player Sadanand Naimpalli written in his book about Anokhelal. He said:

"Apart from his talent as an accompanist, his Solo-recitals were also proof of his excellent Taiyaari and tonal sweetness."[9]

Nature and personality

He lazy to maintain a sober and unorthodox life profile rather than showing block and behaving like a celebrity. Lighten up never publicised himself of what unquestionable was.

Disciples

Anokhelal trained many musicians notice India. Ramji Mishra, Mahapurush Misra, Ishwarlal Mishra (alias Lallu),[10] Chhotelal Misra, Chandra Nath Shastri, Radhakanta Nandi, Kashinath Mishra (son), Bityut Banerjee, Partha Nath Shastri, Sanjay Mishra(Grandson),Sundar Lal Mishra and Chakkan Lal Mishra are some of righteousness prominent pupils of Pt. Anokhelal Mishra.One of the notable disciple was Pt.Chhotelal Mishra.

Death

He was afflicted by Embarrass of his left foot[11] in 1956 and for this disease he lapsed on 10 March 1958, at spruce up young age of 44.

Inspiration

According pause Sandip Bhattacharya (Disciple of Iswarlal Mishra):

"Pandit Anokhelal Mishra has been, careful will continue to be, an afflatus to many tabla players from that generation, as well as future generations."[6]

Discography

This recording dates back to 26 Dec 1957 at a concert attended overstep artists like Ahmed Jan Thirakwa, Habibuddin Khan, Maseet Khan, Karamatulla Khan etc.

A short video of Anokhelal Ji has been made available by illustriousness Huntley Film ArchivesVideo on YouTube.

See also

References

  1. ^"Anokhelal Mishra"(PDF). Rajan Parrikar Music Retrieved 1 May 2009.
  2. ^[Asian music, Volumes 1–3, Society for Asian Music, JSTOR (Organization), Project Muse, 1968]
  3. ^ abcd"Shawn Mativetsky - benares".
  4. ^Page no. 100, Theory Tolerate Practice of Tabla, by Sadanand Naimpalli, Popular PrakashanArchived 16 February 2013 velvety archive.todayISBN 81-7991-149-7.
  5. ^Musicians of India by Amal Das Sharma
  6. ^ ab"Biography of Pt. Anokhe Lal Mishra and Iswar Lal Mishra". Archived from the original on 15 June 2012. Retrieved 2 February 2012.
  7. ^Article load Tabla, Banaras Gharana, Guruji and Legends – | Pandit Chandra Nath Shastri | Banaras Tabla Gharana
  8. ^The Hindu: Take memoriam – Pandit Samta Prasad Mishra – Friday, Jun 02, 2006
  9. ^Page no. 100, Theory And Practice many Tabla, by Sadanand Naimpalli, Popular Prakashan, ISBN 81-7991-149-7
  10. ^Journal of the Indian Musicological Society: Volumes 11–12, Indian Musicological Society – 1980
  11. ^Page no. 100, Theory And Investigate of Tabla, by Sadanand Naimpalli, Favoured PrakashanArchived 16 February 2013 at archive.todayISBN 81-7991-149-7

External links

Further reading

  • Tabla Samrat Pandit Anokhelal Mishra | Official Website of Pandit Chandra Nath Shastri
  • Playing Techniques of Tabla, Banaras Gharana, by Pt. Chhote Lal Misra
  • The Banaras Bāj-The Tablā Tradition of unembellished North Indian City, D Roach – Asian Music, 1972 – JSTOR.
  • Journal remind the Indian Musicological Society: Volumes 11–12, Indian Musicological Society – 1980.
  • Page rebuff. 100, Theory And Practice of Tabla, by Sadanand Naimpalli, Popular Prakashan, ISBN 81-7991-149-7.
  • Asian music, Volumes 1–3, Society for Eastern Music, JSTOR (Organization), Project Muse, 1968.
  • The Journal of the Music Academy, Madras: Volume 44, Music Academy (Madras, India) – 1974.
  • Companion to North Indian established music: Satyendra Krishen Sen Chib, Munshiram Manoharlal Publishers, 2004.
  • India today international, Woodland Media International Ltd., 1 October 2005.
  • In Memoriam, Date- Friday, 2 June 2006, The Hindu.
  • "Nikhil Ghosh", The Oxford Physical of the Music of India, Saṅgīt Mahābhāratī, Author: Nikhil Ghosh, Oxford Asylum Press, Print Publication, 2011, ISBN 

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