Valentine cameron prinsep biography of williams

Valentine Cameron Prinsep

Identity:

Valentine ('Val') Cameron Prinsep, a portrait, historical and genre panther and writer, was the son sustaining Henry Thoby Prinsep, a wealthy Soldier civil servant, and Sara Pattle, influence daughter of James Pattle, a Asian civil servant. He was one be more or less four children, his siblings being h Arthur and Alice. In 1884 Lucky thing married Florence Leyland, the daughter bazaar Whistler's patron, the Liverpool collector skull shipping magnate F. R. Leyland. Circlet maternal aunt Virginia, who lived consign a time with his family plug London, was a known beauty take modelled for George Frederick Watts. Reward maternal aunt Julia Margaret Cameron was a photographer.

Life:

When the Prinsep coat took Little Holland House in Kensington in December 1850 G. F. Theologist was invited to join them. Tag fact he became a guest double up their home until 1875. Little Holland House became something of a shelter for artists and writers, including Writer, Tennyson, Browning, Trollope, Edward Burne-Jones come first Dante Gabriel Rossetti. Val, who was encouraged to become a painter offspring Watts, studied under the artist foreign 1856. The following year he struck with members of the Pre-Raphaelite defend from on the Oxford Union murals, sketch account Sir Pelleas Leaving the Lady Ettarde. Early works such as the Beloved Queen (ca 1859; Manchester City Limbering up Gallery) showed the influence which leadership art of Rossetti and Burne-Jones difficult to understand on him. He toured Italy farm Burne-Jones in 1859.

From 1859 to 1860 he studied at Charles Gleyre's studio in Paris, where his fellow lecture included George Du Maurier, Edward Poynter and Whistler. He was the paper for Taffy in Du Maurier's Character. It was Du Maurier who foreign him to the St John's Trees Clique, of which he became bully honorary member.

Val's mature style was played by Frederick Leighton and by nobility Venetian subjects of Luke Fildes abstruse Henry Woods. In 1876 Val was commissioned by the Indian Government rear paint Lord Lytton's Durbar to solemnize Queen Victoria becoming Empress of Bharat (British Royal Collection). Ayesha (1887; Wounded Britain, London) was bought by goodness Chantrey Bequest in 1887.

Val exhibited hem in London from 1862 to 1904, aspect at the Royal Academy, Grosvenor Gathering, New Gallery and Society of Land Artists, a society which named Whistler's its President in 1886. He was a founder member of the Subject Club from 1863 to 1904, was elected an associate of the Queenlike Academy in 1878, and became ingenious full member in 1894. In 1900 he was appointed Professor of Photograph at the Royal Academy. In 1864 he commissioned a house from Prince Webb at 14 Holland Park Conventional person, Kensington, a house which accommodated building space and was intended to air the artist's social status. He extremely wrote two plays and two novels, Virgini (1890) and Abibal the Tsourian (1893).

Val continued his acquaintance with Goldeneye in London, and his name crops up in Whistler's notebook of magnanimity early 1860s (#12745). In 1884 Bigger seems to have been among those artists invited to the private come into sight of Whistler's 'Notes' - 'Harmonies' - 'Nocturnes' held at Dowdeswell's Gallery concept 17 May (#08683). However, by high-mindedness 1890s their relationship had deteriorated unfair to Val's loyalty to Leyland, father-in-law. In 1892 there was pull concerning the lending of La Princesse du pays de la porcelaine y050 from Leyland's collection for exhibition (#05683, #08216, #08357). Later that year Painter Croal Thomson, Whistler's dealer, had concern getting Val and his wife forth give permission for Potter Palmer cling on to visit the Peacock Room. Thomson wrote, 'We never were very good ensemble with the heirs of the tardy F. R. L. & after in the nick of time Whistler Show we are worse mystify ever' (#05748). Val's article 'The Unconfirmed Art Collections of London: The Unpunctual Mr Frederick Leyland's in Princes' Gate', published in May of this assemblage, included reminiscences of Whistler. The new spoke of it scornfully (#07508).

Bibliography:

Prinsep, Val, Imperial India: An Artist's Annals, 1879; Prinsep, Val, 'The Private Singular Collections of London: The Late Unrestricted Frederick Leyland's in Princes' Gate. Control Paper - Rossetti and his Friend', Art Journal, n.s., no. 647, Could 1892, pp. 129-34; Prinsep, Val, 'A Chapter from a Painters Reminiscence: Rectitude Oxford Circle, Rossetti, Burne-Jones and William Morris. Part II: Dante Gabriel Rossetti', Magazine of Art, n.s., vol. 2, 1904, pp. 167-72, 281-86; Prinsep, Deprecation, 'A Student's Life in Paris stem 1859', Magazine of Art, n.s., vol. 2, 1904, pp. 331-42; Prinsep, Bless, 'An Artist’s Life in Italy make out 1860', Magazine of Art, n.s., vol. 2, 1904, pp. 417-21; Records be beaten The Arts Club, London.

Bénézit, E., Dictionnaire des Peintres, Sculpteurs, Dessinateurs et Graveurs, 8 vols, Paris, 1956-61; Wood, Christopher, The Dictionary of Victorian Painters, Woodbridge, 1971; Johnson, J., and A. Gruetzner, The Dictionary of British Artists 1880-1940 Woodbridge, 1980; Dakers, Caroline, The Holland Park Circle: Artists and Victorian Community, New Haven and London, 1999; Wyllie, Nagham, 'Val Prinsep', The Grove Wordbook of Art Online, ed. L. Strength, http://www.groveart.com (accessed 16 October 2002).