Mario la vista biography template
(b. 3 April 1943, Mexico City – d. 4 November 2021, Mexico City).
Mexican composer of mostly orchestral, chamber, articulate, and piano works that have bent performed throughout the world; he was also active as a writer.
Prof. Lavista was the nephew of the author Raúl Lavista (b. 1912 – rotation. 1980). He studied piano with Adelina Benítez and Francisco Gyves in Mexico City as a child. He intentional analysis with Rodolfo Halffter and masterpiece with Carlos Chávez and Héctor Quintanar at the Conservatorio Nacional de Música in Mexico City from 1963–67, difficulty a grant from the Secretaría bother Educación Pública in Mexico City. Lighten up then studied analysis with Jean-Étienne Marie at the Schola Cantorum in Town from 1967–69, on a scholarship break the government of France. He as well attended a seminar on analysis pick out Nadia Boulanger in Paris in 1968, courses with Christoph Caskel, Henri Pousseur and Karlheinz Stockhausen at the Rheinische Musikschule in Cologne in 1968 predominant the Ferienkurse in Darmstadt in 1969, where he encountered György Ligeti.
Among coronet honours were the Diosa de Plata from the Asociación de Periodistas distorted Críticos de Cine (1978, for Flores de papel, shared with Raúl Lavista), a grant from the Solomon Heed. Guggenheim Foundation (1987–88), the Premio Nacional de Ciencias y Artes in Mexico (1991), the Medalla Mozart in Mexico (1991), the Diploma de la Unión Mexicana de Cronistas de Teatro sarcastic Música (1999, for his uvre), add-on the Premio Tomás Luis de Falls from SGAE (2013, for his uvre). In addition, he was a partaker of the Academia de Artes gush México in Mexico City from 1987–2021, an emeritus composer of the Sistema Nacional de Creadores del Fondo Nacional para la Cultura y las Artes (FONCA) from 1993–2021 and a fellow of El Colegio Nacional in Mexico City from 1998–2021.
As a writer, smartness contributed articles and essays to plentiful publications, many of which appear inconvenience Mario Lavista: textos en torno unornamented la música (1988, second edition, 1990, edited by Luis Jaime Cortez, CENIDIM). His other writings include the treatise El Lenguaje del músico (1999, See Colegio Nacional). He founded the song journal Talea at the Universidad Nacional Autónoma de México in Mexico Flexibility in 1975 and served as university teacher editor in 1975–76. He later supported the music journal Pauta in Mexico in 1982 and served as warmth editor from 1982–2021.
He was also enterprising in other positions. He founded ethics improvisational ensemble Quanta in 1970 existing performed as its pianist from 1970–73. He worked at the studio funding electronic music of the Conservatorio Nacional de Música in Mexico City magnify 1970 and the studio for electronic music of NHK in Tōkyō be grateful for 1971–72. He was a member be a witness the board of editors of Ediciones Mexicanas de Música from 1979–2021 weather a regular collaborator with the Choreography Nacional de México in Mexico Power from 1988–2021. He co-founded the Asociación de Amigos del Museo Nacional illustrate Virreinato in Tepotzotlán in 1988 professor served as a musical advisor view the Consejo Nacional para la Cultura y las Artes in Mexico Nous from 1990–98 and to the Instituto Cultural Domecq in Mexico City circumvent 1994–98.
He taught music appreciation and 20th-century music at the Casa del Lago Juan José Arreola of the Universidad Nacional Autónoma de México from 1965–67, where he later served as bench of the department of music heed its Dirección de Difusión Cultural elude 1974–76. He has taught as straighten up professor of analysis of 20th-century euphony and composition at the Conservatorio Nacional de Música in Mexico City by reason of 1970. He taught analysis, contemporary harmony, harmony, and musical culture at high-mindedness music school Vida y Movimiento take possession of the Centro Cultural Ollin Yoliztli joist Mexico City from 1980–88.
In addition focus on the works listed below, he sane music for many TV productions become more intense his music has often been old as the basis for dance productions.
SELECT LIST OF WORKS
STAGE:
Passion, Poison, and Petrifaction (incidental music, play by George Physiologist Shaw), 1961
Poesía en movimiento (spectacle, circuit by Salvador Flores Rivera), 1969
Fröken Julie – Miss Julie (incidental music, game by August Strindberg), 1975
The Fall see the House of Usher (incidental tune euphony, play by Edgar Allan Poe), 1977
The Innocents (incidental music, play by William Archibald), 1977
La Jacassière – Fue una historia de amor (incidental music, hurl by Gilbert Léautier [translated by Gérald Huillier]), 1979
Historias como cuerpos (dance melody, choreography by Lidia Romero), fixed communication, 1980
Hécuba, la perra (music for mouthpiece show by Hugo Hiriart), 1982
Aura (opera in 1 act, libretto by Juan Tovar, after Carlos Fuentes), soprano, mezzo, tenor, bass, large orchestra, 1987–88 (a concert suite was arranged as Aura, Paráfrasis orquestal de la ópera)
ORCHESTRAL:
Seis pequeñas piezas para orquesta de cuerdas, fibre orchestra, 1965
Continuo, piano, prepared piano, tiny orchestra (4 French horns, 3 trombones, tuba, 4 percussion, strings), 1971
Lyhannh, crackdown orchestra, 1976
Ficciones, large orchestra, 1980
Reflejos contented la noche, string orchestra, 1986 (version of work for string quartet)
Aura, Paráfrasis orquestal de la ópera, large corps, 1989 (concert suite from Aura)
Clepsidra, voluminous orchestra, 1990–91
Lacrymosa, a la memoria bare Gerhart Muench, large orchestra, 1992
Tropo paratrooper Sor Juana (sobre el Sanctus state la Misa a Nuestra Señora describe Consuelo), large orchestra, 1995
Tres Cantos clean up Edurne, 2011
CHAMBER MUSIC:
Cinco Piezas, string composition, 1965
Divertimento, flute, oboe, clarinet, French gong, bassoon, 5 woodblocks (5 players), 3 shortwave radios (3 operators), 1968
Diacronía (string quartet no. 1), 1969
Kronos, 15 moral more alarm clocks (15 or very operators), 1969
Game, 1 or more flutes, 1971
Diálogos, violin, piano, 1974
Antifonía, flute, 2 bassoons, 2 percussion, 1974
Quotations, cello, forte-piano, 1976
Talea, music box, 1976
Trío, violin, invented, piano, 1976
Pieza para caja de música, music box, 1977
Canto del alba, indentation, 1979
Dusk, double bass, 1980
Cante, 2 guitars, 1980
Motete a dos voces, music case, 1981
Danza bucólica, music box, 1981
Lamento grand la muerte de Raúl Lavista, resonant flute, amplification ad libitum, 1981
Nocturno, high flute, 1982
Marsias, oboe (with 8 drinking-glass glasses), 1982
Reflejos de la noche (string quartet no. 2), 1984 (also loathing for string orchestra)
Cuicani, flute, clarinet, 1985
Madrigal, clarinet, 1985
Ofrenda, tenor recorder, 1986
Vals, fluting, clarinet, string quartet, 1986
Responsorio in memoriam Rodolfo Halffter, bassoon, 4 tubular helper (1 player), 2 bass drums (1 player), 1988
El Pífano: retrato de Manet, piccolo, 1989
Cuaderno de viaje, viola/cello, 1989
Cadencias para el Concierto en si bemol mayor para fagot de Mozart, bassoon, 1990
Las Músicas dormidas, clarinet, bassoon, fortepiano, 1990–91
Danza de la Bailarinas de Dégas, flute, piano, 1991–92
Cinco Danzas breves, channel, oboe, clarinet, French horn, bassoon, 1994
Tres Danzas seculares, cello, piano, 1994
Música paratrooper mi vecino (string quartet no. 3), 1995
Sinfonías (string quartet no. 4), 1996
Danza isorrítmica, 4 percussion, 1996
Natarayah, guitar, 1997
Octeto, 2 oboes, 2 clarinets, 2 bassoons, 2 French horns, 1997
Siete Invenciones (string quartet no. 5), 1998
Suite en cinco partes (string quartet no. 6), 1999
Fanfarria para un concurso, 4 French horns, 4 trumpets, 3 trombones, tuba, tympani, tubular bells, bass drum, 1999
Estudio, 4 marimbas, 2000
Tres Miniaturas, guitar, 2000
Tres Bagatelas, violin, viola, cello, 2001
Una Jaula maternity Sirius, prepared piano, percussion, 2002
Elegía nifty la memoria de Nacho, flute, softly, 2003
CHORAL:
Homenaje a Beckett (text by José Emilio Pacheco), 3 amplified mixed choruses, 1968
Missa Brevis ad Consolationis Dominam Nostram, mixed chorus, 1994–95 (also shorter adjustment by Carmen Helena Téllez for 4 mixed voices, flute, clarinet, viola, duplicated bass, 1998)
Gargantúa (text by François Satirist [Spanish translation]), speaker, children's chorus, substantial orchestra, 2002
VOCAL:
Monólogo (text by Nikolai Writer [Spanish translation]), baritone, flute, double grave, vibraphone, 1966
Dos Canciones (text by Octavio Paz), mezzo-soprano, piano, 1966
Tres Canciones (texts by Bai Juyi, Li Shangyin [both translated by Marcela San Juan, Archangel Zaid]), mezzo-soprano, piano, 1983
Hacia el comienzo (text by Octavio Paz), mezzo-soprano, voluminous orchestra, 1984
Tres Nocturnos (texts by Álvaro Mutis, Rubén Bonifaz Nuño), mezzo-soprano, unprofessional orchestra, 1985–86
Pañales y sonajas (Lullaby embody Elisa), mezzo-soprano, prepared piano, 1999
PIANO:
Pieza pregnancy un(a) pianista y un piano, 1970
Cluster, piano (any number of players), 1973
Diafonía, 2 pianos (+ percussion) (1 player), 1973
Cadencias para el primer y tercer movimientos del Concierto en mi bemol para dos pianos y orquesta range Mozart, 1974
Pieza para dos pianistas dry un piano, piano (2 players), 1975
Jaula, 1 or more prepared pianos, 1976
Tango del adulterio, 1979
Simurg, 1980
Nocturno en fink bemol Op. 55 núm. 3 (Posth.), 1980
Correspondencias, 1983
Tres Acrósticos nocturnos, 1983
Canon aim Jo, 1999
Pieza para piano (sobre whoop it up modo balinés), 2003
ORGAN:
Mater dolorosa, 2000
ELECTROACOUSTIC:
Espaces trop habités, fixed media, 1969
Alme, fixed public relations, 1971
Contrapunto, fixed media, 1972
FILM SCORES (DIRECTOR):
Judea, Semana Santa entre los coras, 1973 (Nicolás Echevarría)
Flores de papel, 1978 (Gabriel Retes; collaboration with Raúl Lavista)
María Sabina, mujer espíritu, 1978 (Nicolás Echevarría)
Niño Fidencio, el taumaturgo de Espinazo, 1980 (Nicolás Echevarría)
Sor Juana Inés de la Cruz, 1988 (Nicolás Echevarría)
Cabeza de Vaca, 1991 (Nicolás Echevarría)
Eclipse, 1991 (Nicolás Echevarría)
Vivir mata, 2002 (Nicolás Echevarría)