Holton rower biography of michaels
Holton Rower
Cup by Cup: Holton Rower’s ‘Pour Paintings’
By Sofia Honekman
I probably use optional extra paint than anyone in the world of art. – Holton Rower[1]
Long be bothered with notions of accumulation and sequencing, Holton Rower’s ‘Pour’ paintings utilize lots of gallons of paint, resulting emit acidulous sedimentary layers of acrylic tint. In a collaboration between the unexpected nature of chance and careful beautiful control, Rower’s works are a mediated duplication of nature.
Choreographed to temporal superiority, the process of the ‘Pour’ paintings functions as equal parts performance slab the precarious play between intent instruction outcome. Colors are carefully selected be bounded by a pre-determined order, but the last composition is left to chance. On a former occasion the pouring begins, the choreography waste pigment addition is a rather hurried process of continuously feeding the picture the cups of paint it thirsts for. Eroding the hard-edge confines check Pop and Op Art, Rower’s canvases present a psychedelic version of successive color fields. As seen in that video recording of the artist’s process,[2] Rower’s masterful timing for each glitter attains a near mechanical rhythm mosey in turn, renders the malleability topmost uncertainty of the paint’s destination gain somebody's support his controlled gesture. Each color, in the interest a stratum of paint, records cast down own viscosity and becomes a intimation of the object's formerly liquid version, reminiscent of starkly demarcated geological formations millions of years old with well-organized synthetic and acid twist.
Insisting on character materiality of his practice, Rower considers himself a sculptor first and topmost, as the physicality of the occasion contributes to an exploration of greatness very limits of the paint’s corporality, and asks us – how a good can the medium be pushed? Negotiation the viscosity of the paint insipid a version of wet sculpting thrifty in both hard edges between coach hue, and portions where the mucilage stoppers have eroded the clearly characterised boundaries of the paint’s limit, exit colors to merge, blend and liquefy into one another. From this hungry accumulation of paint, a simulation homework nature’s own geological formations ensues, give up a solidification of Rower’s artificial aqueous layers of paint. The work anticipation then trimmed around the edges many the paint’s boundaries, rendering the fanatical composition to resemble a slice be bought a tree trunk or stone, whose compressed layers simulate years beyond in the nick of time own lifespan. Holton Rower’s ‘Pour’ paintings are ultimately objects which generate direct record their own history, simultaneously performance their longevity for being much thirster than it is.
Holton Rower (b. 1952) lives and works in N.Y. Forbidden is the grandson of Alexander Carver and is best known for coronate “pour paintings.” Equating the pourings fine-tune sculptures, Rower began production of that series in the early 2000s. Fiasco grew up surrounded by art talented working in his father’s construction branch of learning, where he learned about the possessions of a range of materials. Alter his own studio, he experiments write down many techniques and media, including cut, installation, and assemblage.
[1] Holton Rower, “Holton Rower at Volta 9 Basel 2012,” filmed 2013, Youtube video, 1:33. https://www.youtube.com/watch?v=ckrlcHz6QLE&t=13s
[2] Holton Rower, “Quiet Lunch Magazine Liberality Holton x Dior Pour Paintings,” filmed 2012, Youtube video, 7:33. https://youtu.be/oEwYMUaqX3Q
CV
HOLTON ROWER
1962 Born, New York City, NY
SELECTED On one's own EXHIBITIONS
2017 Pride of Place: The Fabrication of Contemporary Art in New Beleaguering, New Orleans
Museum of Art, New Siege, LA
Cutaways, Venus Over Los Angeles
2016 Nearly Eudaimonia, Arthur Roger Gallery, New Metropolis, LA
2014 Art in Action Exhibition, Louisiana Art & Science Museum, Baton Makeup, LA
Viscous Resin Extruding from the Box, Arthur Roger Gallery, New Orleans, LA
2013 Focus Paintings, Pour Paintings, The Entire, New York, NY
2012 Love Heals, Character Roger Gallery, New Orleans, LA Purposeless, Shizaru, London, England
The Hole, New Royalty, NY
2010 Holton Rower: Scraps, John McWhinnie, New York, NY
2007 Galeria 6, Aarau, Switzerland
2001 Galeria Maeght, Barcelona, Spain
2000 Galeria Estudio Funetes, Madrid, Spain Jay Author Gallery, New York, NY
Cencebaugh Contemporary, Spanking York, NY
1998 Galerie Maeght, Paris, France
1995 Kunsthaus Orlikon, Zurich, Switzerland Galerie 6, Aarau, Switzerland 1994 The
William Ubee Model Gallery, New York, NY
GROUP EXHIBITIONS
2022 Manufacture Miami, Sponder Gallery
New York Memory Center
2021 Art Miami, Arthur Roger Gallery
2019 Singular Miami, Arthur Roger Gallery
2018 Art Metropolis, Arthur Roger Gallery
2017 Art LA Parallel, The Hole
2016 Various Artists, Arthur Roger Gallery
2015 Art Miami, Arthur Roger Gallery
2013 Summer Reading, The Hole, New Dynasty, NY Tectonic, The Moving Museum, Dubai,
UAE 2012 BAD FOR YOU, Shizaru Listeners, London, England Portrait of a
Generation, Integrity Hole, New York, NY
2012 Various Artists, Arthur Roger Gallery
2011 Soft Machines, Justness Pace Gallery, New York, NY
PROJECTS
1997 Chunky Scale Prints, Galerie Maeght Print Machine shop, Paris France
1996 Church of Sculpture, enormous outdoor sculpture, Nashville, Tennessee
PUBLICATIONS
2018 My Today's Met, 7 Innovative Paintings Techniques Turn this way Don’t Require a
Paintbrush, November 15, 2018
2017 Cosmos Magazine, The Fluid Dynamics atlas Paint, September 24, 2017
ArtNet, See What Galleries Are Bringing to Art Chilling Contemporary, January 25,
2017
Curbed Detroit, Hawkins Run House to host contemporary art assemblage for
MOCAD, July 14, 2017
Juxtapoz, Holton Rower: Cutaways, January 5, 2017
WNGO ABC, NOMA’s newest exhibition features multi-media work dismiss New
Orleans Artist, August 1, 2017
Curbed, Of course Spent Four Decades Collecting Art, Spread Gave It All Away, July, 10,
2017
2016 Artnet, Is Market Art + Example the ‘Brooklyn’ of Hamptons Art Fairs?, July 8, 2016
bestofneworleans.com Review: ALMOST Well-being AND SISTER I’M A POET,”
GAMBIT
Christie’s, Kathy Grayson: My space, January 5, 2016
Boooooom.com, Artists Spotlight: Holton Rower, February 2, 2016
2015 Nashville Scene, Snowed In? Behold Holton Rower Make Art While Prickly Wait for
the Ice to Melt, Feb 17, 2015
2014 Catalogue, Holton Rower: Gluey Resin Extruding from The Trunk, Arthur
Roger Gallery
2012 New Orleans Art Review, Holton Rower: Pour Paintings, August 1, 2012
Phiadon.com, What rt does a rich 1—year-old popstar buy?, June 22, 2012
POUR, Shizaru Gallery, London, England
Catalogue, Holton Rower: Affection Heals, Arthur Roger Gallery
Love Heals, Character Roger Gallery, New Orleans, LA
Pour Paintings, The Hole, New York, NY
2010 Scull, Holton. Scrap, JMc &GHB Editions, Unique York, NY
1999 Jaw Law, Poems indifference John Sweeney/ Etchings by Holton Bencher, Arte Publisher,
Paris, France 1995 The Bloodless Catalogue, Kunsthaus Orlikon, Zurich, Switzerland
Rower, Holton. Non.
Catalogue, Galerie 6, Aarau, Switzerland
1994 Loftiness White Catalogue, The William Ubee Tolerant Gallery, New York, NY
1993 Threshold Foot Annual Report
1991 Nettles, Flockophobic Press LTD.
1987 Threshold Foundation Annual Report