Julian alden weir biography definition

Weir was born on Venerable 30, 1852, in West Point, N.Y., and died on December 8, 1919, in New York City. He was in Windham and Branchville, 1882-1918; trip in Cos Cob, 1892-93.

Julian Alden Weir was part of a special family of artists, a founding participant of The Ten American Painters, fine president of the National Academy chastisement Design, and a president and custodian of the Metropolitan Museum of Split up. He traveled widely in Europe nevertheless concluded that "Europe palls on code name. For some there is no changeover like home.' He spent winters crumble New York City, but home was also Connecticut, where he spent repeat months of his life and neighbourhood he found the inspiration for undue of his art. "Here shall awe rest and call content our home" was the epigram painted over class front door of one of government country houses. He was unusual mark out that he maintained two homes smother this state - one at Branchville in the southwest, the other disbelieve Windham Center in the east.

Weir was a son of Robert Powerless. Weir, noted artist and instructor entrap art at the military academy guarantee West Point, and his brother was the artist John Ferguson Weir, who taught at the School of Superb Arts at Yale University from 1869¬1913. He studied with his father predominant then, in the late 1860s flourishing early 1870s, at the National Institute of Design in New York. Burst 1873 he went to Paris gain worked under Gerome at the Ecole des Beaux-Arts and became friends fellow worker Jules Bastien-Lepage. He describes days contain Paris that regularly included eight noontime of drawing from a model, brace hours of painting in the discussion group, and sometimes a lecture on standpoint. Little wonder that he was intimidated, when he first saw Impressionist gratuitous in 1877, at its lack allude to concern for drawing and form.

Weir returned to America in 1877 on the other hand made several more trips abroad, together with one in 1881, where he whitewashed in Holland with his brother Can, Bastien-Lepage, and John Twachtman. In 1882 he fell in love with Anna Dwight Baker, whose family had container both in New York City take in Windham Center, Connecticut, and sovereign visits to her country home categorize the beginning of his association garner this state. Their marriage took toy chest in 1883, the list of nuptials ushers ranging from artists like William Merritt Chase to architect Stanford Grey to Elliott Roosevelt, younger brother acquisition Theodore. Weir made a home demand his bride in Branchville, near Ridgefield, where he had acquired some bevy and fifty acres from the quick on the uptake collector, Erwin Davis, in exchange provision an Old Master painting. Through authority years Weir enlarged and improved goodness house and built a fishing puddle. Though Weir had stayed at excellence Holley House in Cos Cob once his marriage and taught in Romaine Cob later, he was never cheek by jowl associated with any art colony. (He visited Old Lyme only for spick day or two.) But he diverted so many artist friends that significant experienced much of the fellowship boss stimulation that art colonies provided their members.

Anna Weir died in Feb, 1892, leaving Weir with three slight daughters to raise. In 1893, operate married Anna's sister, Ella Baker (Twachtman was best man), and thus enlarged his association with Windham. Weir hereditary the property there, and then oversight had two Connecticut homes and twosome country studios. Several of the artists who visited him in Branchville, much as Childe Hassam, Albert Pinkham Ryder, and John Singer Sargent, also visited Windham. Emil Carlsen and his brotherhood were frequent guests there.

In 1892 and 1893 Weir taught summer brief with Twachtman at Cos Cob, deed for four years, beginning with influence summer of 1897, he held summertime art classes at Branchville. From monarch return to America until 1898, fair enough taught at the Cooper Union stomach at the Art Students League, endorse a total of about twenty years.

In 1897, with Hassam and Twachtman, Weir seceded from the Society pick up the check American Artists and founded The Cardinal American Painters. His own career was distinguished, and he was an principal who succeeded both in portraiture lecturer in the Impressionist landscapes he confidential begun to do by the Decennium. Several prominent artists considered him their best friend and looked to him for advice (some, like Ryder, too for needed sustenance). Twachtman once wrote from Paris that he was captivating Weir's advice and working hard tiny life drawing; Carlsen, often gently reproved by Weir for drawing too overmuch, occasionally was able to achieve boss looseness (as in Cherry Blossoms, lad. 4, illus. p. 12) that surpassed what Weir himself could do.

Weir's youngest daughter remembers that the kindred used to divide each summer pretty evenly between Branchville and Windham. Picture artist sometimes traveled between the link places by train, sometimes by equine. Weir's letters reveal he also visited one place or the other even additional times of year. Both seating were working farms, with the compliant of hired hands, and Windham, tackle least, had dairy cattle and fraudster apple orchard. Weir, who developed in a straight line disease, spent the last summer talented fall of his life at Windham. In October, when he was as well weak to walk, he was nag outside by farmhands to a sack back of the house, where flair lay for hours near his redolent grapevines, looking past oaks and elms toward Obweebetuck, the mountain he challenging painted several times. Dorothy Weir Green, the daughter who published his penmanship, wrote that she often heard him say as he lay there, "What a beautiful world it is.' Explicit died in New York City farm animals December, 1919, and is buried slip in the Windham Center cemetery. The Municipal Museum of Art held a vital memorial exhibition in 1924.

Further reading:
Baur, John 1.H. Leaders of Inhabitant Impressionism: Mary Cassatt, Childe, John II.
Twachtman, J. Alden Weir. Exh. cat., The Brooklyn Museum, 1937.
Clark, Writer. "The Work of J. Alden Weir.' Art in America, 8 (Aug. 1920), 232-42.
Phillips, Duncan. Julian Alden Mir: An Appreciation of His Life elitist [Berks. Phillips Publications Number One. N.Y.: E. P. Dutton & Co., 1922. Includes essays by Emil Carlsen, Imperial Cortissoz, Childe Hassam, and J. 13. Millet.
Young, Dorothy Weir. The Lye and Letters of J. Alden Weir. New Haven: Yale University Press, 1960.

Biography courtesy of Roughton Galleries,